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1 интерференционная окраска
Русско-английский словарь по химии > интерференционная окраска
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2 интерференционный цвет
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3 интерференционный
Авиация и космонавтика. Русско-английский словарь > интерференционный
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4 интерференционная окраска
[lang name="Russian"]брачная окраска, брачный наряд — breeding colour
Русско-английский научный словарь > интерференционная окраска
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5 пробирка для сравнения окраски
[lang name="Russian"]брачная окраска, брачный наряд — breeding colour
Русско-английский научный словарь > пробирка для сравнения окраски
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6 интерференционный цвет
интерференционный цвет
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[Англо-русский геммологический словарь. Красноярск, КрасБерри. 2007.]Тематики
EN
Русско-английский словарь нормативно-технической терминологии > интерференционный цвет
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7 интерференционный цвет
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8 Lippman, Gabriel
SUBJECT AREA: Photography, film and optics[br]b. 16 August 1845 Hallerick, Luxembourgd. 14 July 1921 at sea, in the North Atlantic[br]French physicist who developed interference colour photography.[br]Born of French parents, Lippman's work began with a distinguished career in classics, philosophy, mathematics and physics at the Ecole Normale in Luxembourg. After further studies in physics at Heidelberg University, he returned to France and the Sorbonne, where he was in 1886 appointed Director of Physics. He was a leading pioneer in France of research into electricity, optics, heat and other branches of physics.In 1886 he conceived the idea of recording the existence of standing waves in light when it is reflected back on itself, by photographing the colours so produced. This required the production of a photographic emulsion that was effectively grainless: the individual silver halide crystals had to be smaller than the shortest wavelength of light to be recorded. Lippman succeeded in this and in 1891 demonstrated his process. A glass plate was coated with a grainless emulsion and held in a special plate-holder, glass towards the lens. The back of the holder was filled with mercury, which provided a perfect reflector when in contact with the emulsion. The standing waves produced during the exposure formed laminae in the emulsion, with the number of laminae being determined by the wavelength of the incoming light at each point on the image. When the processed plate was viewed under the correct lighting conditions, a theoretically exact reproduction of the colours of the original subject could be seen. However, the Lippman process remained a beautiful scientific demonstration only, since the ultra-fine-grain emulsion was very slow, requiring exposure times of over 10,000 times that of conventional negative material. Any method of increasing the speed of the emulsion also increased the grain size and destroyed the conditions required for the process to work.[br]Principal Honours and DistinctionsRoyal Photographic Society Progress Medal 1897. Nobel Prize (for his work in interference colour photography) 1908.Further ReadingJ.S.Friedman, 1944, History of Colour Photography, Boston.Brian Coe, 1978, Colour Photography: The First Hundred Years, London. Gert Koshofer, 1981, Farbfotografie, Vol. I, Munich.BC -
9 Lumière, Auguste
SUBJECT AREA: Photography, film and optics[br]b. 19 October 1862 Besançon, Franced. 10 April 1954 Lyon, France[br]French scientist and inventor.[br]Auguste and his brother Louis Lumière (b. 5 October 1864 Besançon, France; d. 6 June 1948 Bandol, France) developed the photographic plate-making business founded by their father, Charles Antoine Lumière, at Lyons, extending production to roll-film manufacture in 1887. In the summer of 1894 their father brought to the factory a piece of Edison kinetoscope film, and said that they should produce films for the French owners of the new moving-picture machine. To do this, of course, a camera was needed; Louis was chiefly responsible for the design, which used an intermittent claw for driving the film, inspired by a sewing-machine mechanism. The machine was patented on 13 February 1895, and it was shown on 22 March 1895 at the Société d'Encouragement pour l'In-dustrie Nationale in Paris, with a projected film showing workers leaving the Lyons factory. Further demonstrations followed at the Sorbonne, and in Lyons during the Congrès des Sociétés de Photographie in June 1895. The Lumières filmed the delegates returning from an excursion, and showed the film to the Congrès the next day. To bring the Cinématographe, as it was called, to the public, the basement of the Grand Café in the Boulevard des Capuchines in Paris was rented, and on Saturday 28 December 1895 the first regular presentations of projected pictures to a paying public took place. The half-hour shows were an immediate success, and in a few months Lumière Cinématographes were seen throughout the world.The other principal area of achievement by the Lumière brothers was colour photography. They took up Lippman's method of interference colour photography, developing special grainless emulsions, and early in 1893 demonstrated their results by lighting them with an arc lamp and projecting them on to a screen. In 1895 they patented a method of subtractive colour photography involving printing the colour separations on bichromated gelatine glue sheets, which were then dyed and assembled in register, on paper for prints or bound between glass for transparencies. Their most successful colour process was based upon the colour-mosaic principle. In 1904 they described a process in which microscopic grains of potato starch, dyed red, green and blue, were scattered on a freshly varnished glass plate. When dried the mosaic was coated with varnish and then with a panchromatic emulsion. The plate was exposed with the mosaic towards the lens, and after reversal processing a colour transparency was produced. The process was launched commercially in 1907 under the name Autochrome; it was the first fully practical single-plate colour process to reach the public, remaining on the market until the 1930s, when it was followed by a film version using the same principle.Auguste and Louis received the Progress Medal of the Royal Photographic Society in 1909 for their work in colour photography. Auguste was also much involved in biological science and, having founded the Clinique Auguste Lumière, spent many of his later years working in the physiological laboratory.[br]Further ReadingGuy Borgé, 1980, Prestige de la photographie, Nos. 8, 9 and 10, Paris. Brian Coe, 1978, Colour Photography: The First Hundred Years, London ——1981, The History of Movie Photography, London.Jacques Deslandes, 1966, Histoire comparée du cinéma, Vol. I, Paris. Gert Koshofer, 1981, Farbfotografie, Vol. I, Munich.BC -
10 порядок интерференционной окраски (минерала)
порядок интерференционной окраски (минерала)
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[Англо-русский геммологический словарь. Красноярск, КрасБерри. 2007.]Тематики
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Русско-английский словарь нормативно-технической терминологии > порядок интерференционной окраски (минерала)
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11 интерференционный цвет
1) Oil: interference colour2) Makarov: interference colorУниверсальный русско-английский словарь > интерференционный цвет
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12 порядок интерференционной окраски
1) Geology: order of interference colour2) Makarov: order of interference color (кристалла)Универсальный русско-английский словарь > порядок интерференционной окраски
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13 интерференционная окраска
Oil: interference colourУниверсальный русско-английский словарь > интерференционная окраска
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14 окрашивание анодной плёнки в цвета побежалости
Electrochemistry: interference colour processУниверсальный русско-английский словарь > окрашивание анодной плёнки в цвета побежалости
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15 interferensfarge
subst. interference colour -
16 interferensfarve
subst. (Riksmål, eg. interferensfarge) interference colour -
17 Interferenzfarbe
Deutsch-Englisch Fachwörterbuch Architektur und Bauwesen > Interferenzfarbe
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18 цветокодирующий светофильтр
фильтродержатель; держатель светофильтра — filter holder
Русско-английский новый политехнический словарь > цветокодирующий светофильтр
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19 колориметрический способ
Русско-английский военно-политический словарь > колориметрический способ
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20 цвет
bloom, color, dye* * *цвет м.
colourвоспроизводи́ть цвет — reproduce a colourзадава́ть [опи́сывать] цвет — specify a colourкра́сить в, напр. кра́сный цвет — paint (something), e. g., redпередава́ть цвет ( при воспроизведении) — render a colourприводи́ть цвета́ ( обеспечивать совпадение нескольких цветов на одном изображении) — bring colours in(to) registry [registration]различа́ть цвет — discern [distinguish, perceive] a colourсме́шивать цвет (с други́м) — blend a colour (with another)сме́шивать цвета́, напр. R [m2], G и B для получе́ния цве́та C — match C by mixing R, G and Bахромати́ческий цвет — achromatic colourцвет «бе́лая ночь» (название краски, особенно для автомобильных кузовов) — off-white colourбле́дный цвет — pale colourголубо́й цвет (напр. в телевидении, фотографии) — cyanдополни́тельный цвет — complementary colourцвет изображе́ния тлв. — picture colourинтерференцио́нные цвета́ — interference coloursка́жущийся цвет тлв. — apparent colourцвета́ кале́ния — temperature colours, colour heat scaleконтрасти́рующий цвет — contrast colourнасы́щенный цвет — saturated colourнелиня́ющий цвет — fast colourненасы́щенный цвет — pale [nonsaturated] colourцвет объе́кта съё́мки тлв. — scene colourцвет оригина́ла — original colourосновно́й цвет (напр. красный) — primary (colour) (e. g., red)цвета́ побежа́лости — temper coloursцвет пове́рхности ( поверхностный) — surface colourцвет предме́та — object colourпурпу́рный цвет — purple (colour); ( более научный термин) magentaравноэнергети́ческий цвет — equal-energy colourидеа́льный цвет тлв. — real [physical] colourсе́рый цвет опт. — achromatic [grey] colourсло́жный цвет — compound colourсоставля́ющий цвет — component colourспектра́льный цвет — spectral colourтеорети́ческий цвет — nonphysical colourту́склый цвет — dead colourфикти́вный цвет — fictitious [nonphysical] colourфо́новый цвет — background colourхромати́ческий цвет — chromatic colourэтало́нный цвет — reference [standard] colour
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См. также в других словарях:
colour — /kul euhr/, n., adj. v.t., v.i. Chiefly Brit. color. Usage. See or1. * * * I Aspect of any object that may be described in terms of hue, brightness, and saturation. It is associated with the visible wavelengths of electromagnetic radiation, which … Universalium
Interference (wave propagation) — Two point interference in a ripple tank. In physics, interference is the phenomenon in which two waves superpose each other to form a resultant wave of greater or lower amplitude. Interference usually refers to the interaction of waves that are… … Wikipedia
Colour recovery — This article is about film colour recovery. For film colorization, see film colorization. For the Hewlett Packard technique, see HP Color recovery. Colour recovery (or colour restoration) is a process which can restore lost colour, specifically… … Wikipedia
Classical interference microscopy — (also referred to as quantitative interference microscopy) uses two separate light beams with much greater lateral separation than that used in phase contrast microscopy or in differential interference microscopy (DIC). In variants of the… … Wikipedia
Optical mineralogy — A petrographic microscope, which is an optical microscope fitted with cross polarizing lenses, a conoscopic lens, and compensators (plates of anisotropic materials; gypsum plates and quartz wedges are common), for crystallographic analysis.… … Wikipedia
Otto Wiener (physicist) — Otto Wiener Otto Wiener, experimental physicists in Leipzig since 1899 Born 15 June 1862(1862 06 15) … Wikipedia
интерференционный цвет — — [Англо русский геммологический словарь. Красноярск, КрасБерри. 2007.] Тематики геммология и ювелирное производство EN interference colour … Справочник технического переводчика
порядок интерференционной окраски (минерала) — — [Англо русский геммологический словарь. Красноярск, КрасБерри. 2007.] Тематики геммология и ювелирное производство EN order of interference colour … Справочник технического переводчика
PAL-M — Colour encoding used in analog television, by nation in 20th century. PAL M is the TV system used in Brazil since February 19, 1972. At that time, Brazil was the first South American country to broadcast in colour. Colour TV broadcast began on… … Wikipedia
light — light1 lightful, adj. lightfully, adv. /luyt/, n., adj., lighter, lightest, v., lighted or lit, lighting. n. 1. something that makes things visible or affords illumination: All colors depend on light. 2. Physics … Universalium
electromagnetic radiation — Physics. radiation consisting of electromagnetic waves, including radio waves, infrared, visible light, ultraviolet, x rays, and gamma rays. [1950 55] * * * Energy propagated through free space or through a material medium in the form of… … Universalium
